Screen printing films, DTF artwork and retro print design
Use this free halftone generator to explore screen print films and positives, DTF printing patterns and retro print aesthetics before preparing a production file. It is a design preview, not a replacement for a calibrated RIP or separation workflow.
- Screen print positives: inspect how dot spacing holds highlights and shadows before choosing mesh and exposure settings.
- DTF printing: preview a dotted apparel design; transparent artwork and white-ink underbases must be prepared separately.
- Line screen: lower Detail for coarse dots or raise it for finer dots. It changes pixel spacing, not a numerical LPI or DPI setting.
- Monochrome export: choose Dotcross, set Intensity to 100 and adjust Contrast for black marks on white. Export is an opaque PNG, up to 1400px on the long edge, with antialiased edges rather than strict 1-bit data.
Risograph previews the appearance of CMYK halftone separations in a single composite PNG. It does not export separate C/M/Y/K plates. Before making a film positive, verify physical size, line screen (LPI), mesh and ink requirements in print software with your printer.
How to make a halftone effect online
- Drop a photo onto the canvas, paste it, or click to choose one. It never leaves your browser.
- Pick Dotcross (or Stipple, Risograph, Crossmarks), then lower Detail for bigger dots or raise it for a finer screen.
- Export the PNG. No account, no watermark.
How halftoning works
Halftoning reproduces continuous tone with marks of varying size at a fixed spacing. Printing presses cannot lay down 40% ink; they lay down dots that cover 40% of the area. Your eye does the rest. A halftone generator that just multiplies a dot texture over the photo misses the point — the dots have to grow and shrink with local darkness.
Dotcross is the primary filter here, and it changes mark type as well as size. Below 31% darkness it draws a circle whose radius tracks the tone. Above that it switches to a cross whose arm length and stroke weight keep climbing. A Bayer matrix perturbs the darkness reading slightly so the marks do not lock into a visible moire grid.
Risograph is included because it is the full colour case: the image is separated into CMYK, each plate gets its own halftone screen at its own angle — roughly +15.5 degrees, -15.5 degrees, 0 and 44.7 degrees — and the plates are printed with a deliberate registration offset onto a warm paper tone. Those angle offsets are exactly why real four-colour print does not moire.
| Filter | Mark | Best for |
|---|---|---|
| Dotcross | Circle to cross ramp | Editorial, poster, high contrast |
| Stipple | Variable-radius dots | Soft gradients, portraits |
| Risograph | CMYK screens, 4 angles | Full colour print look |
| Crossmarks | Vector cross field | Technical, diagrammatic |
Lower the detail slider for a coarser screen with bigger, more graphic dots; raise it for a fine screen that stays closer to the photograph. Everything renders locally through Canvas 2D and exports as a PNG up to a 1400px long edge.
Best for
- Graphic mockups and apparel print pattern concepts
- Gig posters and screen-print style illustrations
- Comic and pop-art style portraits
- Zine pages and editorial illustration
- Album and single covers








